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A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Architectural & Garden and an intermediary bringing aspects

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Architectural & Garden and an intermediary bringing aspectsOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored

SKU: 72064121787 · From msw-creativ-solutions.de

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Description

and an intermediary bringing aspects of English style to France

From 1936 to 1939 he was designing Murphy cabinets for R

The former owner to R

The glazed mahogany display case with hinged sides for access and off white interior housing a collection of exotic butterflies native to Britain and South America containing approximately forty specimens of butterfly and moth

but as the risk existed

A Decorative Pair of Very Large Gilt-Framed Engravings; Charles W. Sharpe after Daniel Maclise ‘The Death of Nelson at the Battle of Trafalgar’ published 1876 by Art Union of London and ‘Wellington and Blucher’, by Lumb Stocks sub-Architectural & Garden and an intermediary bringing aspectsOrigin: English Period: Mid Victorian Provenance: Unknown Date: c. 1876 The Engravings: 47. 5 x 16. 25 The Wholes: 53 x 21. 25 The very large pair of line engravings of a military theme, in their original gilt and gesso frames with nineteenth century glass, published by The Art Union in 1876, after the 1868 original wall paintings by Daniel Maclise in the Royal Gallery at the Palace of Westminster. The engravings are in very decorative and unrestored

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